In 1964 he went to Chicago for a few weeks, where he encountered Muhal Richard Abrams' philosophy of making music. He then headed for New York, where he was soon introduced to avant-garde saxophonist Giuseppi Logan, who invited Pullen to play piano on his two albums, Giuseppi Logan (ESP, October 1964) and More (ESP, May 1965), both exercises in structured free playing. Although these were Logan's recordings, most critical attention[who?] was given to the playing of percussionist Milford Graves and the unknown Pullen.
"For a performance at Yale University in New Haven, Connecticut, in spring of 1966, percussionist Milford Graves invited pianist Don Pullen to play duets. The two musicians had worked together in a band fronted by saxophonist and clarinetist Giusseppi Logan, with whom they had recorded two LPs in 1965 for ESP Disk.
Milford Graves Percussion Ensemble 1965 FLAC
Hi RobertoM, but listening to the files, if they correspond to Roccella concert, during the band presentation Brice Ouasse is on drums and Jean Pierre Coco on percussions. _Cherry_%2526_Steve_Lacy_-_Club_Montmartre%252C_Copenhagen%252C_Denmark_27-05-1965.zip/fileI still have to listen to this one, enjoy! 2ff7e9595c
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